Veera Simha Reddy appears like previous wine in a brand new bottle. The movie is loud and generic. It’s a formulaic, and cliched movie. Veera Simha Reddy is a routine and predictable faction drama.
If you happen to’re questioning why I’m delving solely into cliches it’s as a result of I’m being reflective of Veera Simha Reddy, a movie that doesn’t even care to attempt to be new. No person expects it to be pathbreaking cinema, however at the same time as a Balakrishna movie, there’s nothing new on supply. It’s a part of an meeting line of some Balakrishna-isms.
Two Balakrishnas. One naïve. One protector. The previous is the son. The latter is the daddy. Loud background music and fixed repeating of the title track with each motion of the actor. A flashback involving a recent villain who has a grouse with the older Balakrishna. Plenty of meta moments. In actual fact, the movie itself appears like an excuse to ship meta moments and political punchlines. A heroine every reverse the youthful Balakrishna and the older one the place each pairs appear to be father-daughter duos. And a climactic showdown the place the hapless villain is killed.
